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Scott Movic’s 1932 Ford Roadster
By Brian Brennan, Photography by NotStock Photography
Rick Plush’s 1962 Impala
By Grant Cox, Photography by the Author
Dave Hooker’s 1929 Ford Highboy Roadster
By Brian Brennan, Photography by Tommy Koppinger
Kris Kroll’s 1953 Mercury Monterey Custom
By Brian Brennan, Photography by Michael Christensen
Lots of Hot Rods, People, and Great Weather
By Brian Brennan, Photography by the Author
Easy-to-Install Electrical Accessories for Your Modern Hot Rod
By Ron Ceridono
Carry Metalflake in Waterborne Clear
By John Gilbert, Photography by Tom Koppinger & Doug Jerger
Custom Plumbing & Exhaust Makes a Point
By Ron Covell, Photography by Jay Doerfler
POR-15 Puts Rust to Sleep
By John Gilbert, Photography by the Author
Photo by NotStock Photography
BRIAN BRENNAN
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by Brian Brennanvery so often I’m greeted with those wide-eyed stares and pointed questions about what it’s like to exist in the glamorous yet oddly obscure world of a famous magazine editor. Buckle up because, spoiler alert, it’s a lot like throwing a legendary Saturday night garage party where your pals show up, you can tell who is showing up by their exhaust note for the free pizza and your preferred adult beverage, but then promptly forget who brought them—like you’re some sort of magical pizza-supplying genie!
Honestly, it feels like eons since I held the crown as the reigning diva of the editorial kingdom. (It’s my editorial and my fantasy!) And let me tell you, the title of “famous magazine editor” has slipped into the forgettable abyss of job descriptions right alongside “professional yo-yo master” and “professional cat herder” (and I do know a lot about “cat herding”).
Now, don’t get me wrong. Those of us who thrive in the fast-paced, diamond-encrusted lifestyle of editing wouldn’t trade it for anything—except maybe a substantial raise, a buffet-sized plate of free time, a sprinkle of respect from colleagues, and, for the love of all that’s holy, a nudge from our significant others acknowledging that, yes, I do work. And no, binge-reading three magazines doesn’t automatically qualify me as a real hot rodder!
You know you’re really in trouble when the phrase, “When are you going to grow up and get a job?” turns into your daily alarm clock! Who would have thought that photographing car features, being part of and leading epic events, and managing seasonal color palettes wouldn’t win me a gold star from my mom? Bless her soul, she went to her grave still waiting me to “grow up” and get a “real” job—sorry, Mom, that ship has sailed into the sunset, likely with a side of tire smoke.
Goodguys Columbus New Product Winners & Individual AwardsThis year’s winners come from a variety of categories that represent the many components involved in building a hot rod. So, it would be wise to examine the winners closely, as many of the products shown might be exactly what you need to complete your project.
Besides the new product awards, In The Garage Media distributed individual awards. These custom-made plaques were presented to individuals for their respective hot rods representing the corresponding brands.
Winner: Revision Rods & Rides represented by Tyler Nelson from Rapid City, South Dakota, with his ultra-reliable Strong Hold Hood Latch.
Winner: Crocodile Cloth represented by Connor Hopkins from Gahanna, Ohio, with their heavy-duty, grime-fighting PowerSCRUB wipes.
Product features: Up to 8-rwhp increase, 6061-T6 billet aluminum construction, raw machine or black hardcoat anodized finishes that match their other accessories, stainless Torx head fasteners included, uses the OE gasket for easy install and replacement, better air distribution resulting in even flow over the heat exchangers for consistent cooler temps, works with both Gen 1 and Gen 2 heat exchanger bricks, and both dry- and wet-sump engine applications.
Photography bY NotStock Photography
Illustration By Eric Brockmeyer Design
cott Movic of Jupiter, Florida, had his own vision for a 1932 Ford roadster. To realize this, he collaborated with Chris Clark of Ace Fabrication (who handled building, fabricating, wiring, plumbing, and assembly) and Eric Brockmeyer to bring his ideas to paper. Tracy Weaver of Recovery Room Interiors was responsible for the stitchwork, while Tony Curry and Chance Taylor, both from Show Me Rod & Custom, managed the bodywork and paint. To blend the “old with the new,” the team agreed on using a mix of Cerakote, chrome, and powdercoating.
Scott was on the lookout for a 1932 Ford highboy roadster and saw one on OpposingCylinders.com, which eventually led him to Chris Clark of Ace Fabrication who had the Deuce for sale. Unfortunately, or possibly for the better, the highboy was sold, but Clark was able to show Scott pictures of a full-fendered 1932 Ford roadster he had—which gets us to what you see on the pages before you.
Photography Courtesy of the Manufacturerse confess, we will always love bare bones, wind-in-your-face, traditional hot rods—we’re even partial to those with a rough edge or two. On the other hand, there is something to be said for a refined modern rod with some of the accessories we’ve become accustomed to in contemporary cars. It’s those miscellaneous items that our fearless leader, Editor Brennan, refers to as “tchotchkes.”
Many of the “add-on” accessories we find appealing are electrically operated. They may be as simple as courtesy lights that make it easier to find your keys at night, or as high-tech as multi-function GPS systems to help you navigate to wherever you want to go. Most of these cool electrical items can be easily added to an existing wiring harness—it’s especially easy with an aftermarket wiring system, as they generally have the capacity for additional items. Of course, in some cases, an auxiliary fuse panel or relay(s) may be needed, but that is also simple to do.
What we’ve done here is compile a list of some interesting add-on electrical accessories that are affordable and easy to install. Of course, all the sources here offer many more; there seems to be no end to the cool gizmos and gadgets available to make cruising more comfortable.

Lots of Hot Rods, People, and Great Weather
Late-model hot rods are now the norm at the NSRA Street Rod Nationals in Louisville, held at the Kentucky Exposition Center. Of course, with nearly 9,000 hot rods, there are plenty of all makes, models, colors, and build styles to see.
Photography by The Authorhen referring to the 56th Annual National Street Rod Association’s Street Rod Nationals in Louisville, Kentucky, held at the Kentucky Exposition Center, we expect numerous hot rods and a large crowd. What isn’t normally associated with this event is stunningly beautiful weather. Yep, the 2025 56th Annual Nats was one for the record books when it came to weather. While Thursday was more of what we might have expected, there is no doubt that Friday through Sunday was spectacular. But we came for the hot rods, so let’s get back to things that go varoom day and night!
As everyone knows, the NSRA uses a rolling 30-year cutoff to decide which cars and trucks can attend. With 2025 as the current year, it was impressive to see a variety of hot rods from all makes, models, and years—going back to 1996. Those of us who have been around for a while are accustomed to seeing Model As, Deuces, and vehicles from the late ’40s and ’50s. Over time, we’ve also gotten used to seeing Tri-Fives, C10s, and a wide range of Camaros and Corvettes as well as many Fords, Mopars, and other brands. What kind of hot rodder would you be if you didn’t take a “hot lap” through the swap meet? There is always an idea just sitting there in front of you for your next project. The NSRA Street Rod Nationals truly has become a “melting pot” for the world of hot rodding. I must admit seeing an early 1990s Ferrari and a mid-1980s Mercedes SL did take me back a bit, but, hey, it was cool to look at, and let’s face it, street rodding has evolved. It has evolved to take in the likes of modern-day hot rodders, which brings with it a wide spectrum of makes and models of cars and trucks and a staggering variety of build styles. The times are definitely changing, but that’s how anyone or anything survives, through evolution.
Photography by The Authorfter 35 years of building custom, one-of-a-kind rides, Rick Plush of Haysville, Kansas, isn’t new to the craft, but he’s always eager for the next challenge. With a résumé that includes a 1966 Chevy Nova, a 1970 Chevelle, a 1941 Willys, and a 1969 Camaro, Rick’s projects have consistently showcased craftsmanship and personal growth. When it was time for his next build, he chose something classic with a touch of practicality: a 1962 Chevy Impala.
But make no mistake, this wasn’t going to be just a pretty cruiser. Rick envisioned a full-blown custom build that preserved the Impala’s original lines while providing a solid foundation, top-tier performance, and subtle, modern comforts for long hauls to car shows and cruises.
Photography by Tom Koppinger & Doug Jergerhe range of colors for custom car paint expanded in 1960 with the introduction of metalflake to the public. The late 1950s and early 1960s experienced a renaissance with the popularity of Candy Apple Red and pearlescent white, soon followed by a variety of sparkling metalflake colors.
The story of metalflake’s origins begins in 1957 when the Dow Chemical Company acquired the Dobeckmun Company, making Dobeckmun a division of Dow Chemical. Dobeckmun, short for Dolan, Becker, and Munson, was a major manufacturer of cellophane and foil packaging before being acquired by Dow.
In early 1959, automotive designer Stefan Boran discovered a new product Dobeckmun produced by cutting aluminum foil into microscopic squares and trademarked it as metalflake, which could be produced in large quantities at low cost. Boran recognized the potential for metalflake to become a custom car finish and collaborated closely with Dobeckmun to develop enough product to supply George Barris with experimental silver metalflake for the XPAK 400 air car Barris debuted at the National Championship Show in Detroit.
Photography by Tommy Koppingerf you listen to Dave Hooker from Arizona, you read the benefit of two stories in one: first, a compelling human-interest story, and second, the fulfillment of a long-held dream—his 1929 Ford highboy roadster. Dave starts by telling us how it all began.
“It all started in the early 2000s when my wife and I had been longtime attendees at the Goodguys car shows in Washington, making our yearly trips to the Goodguys West Coast Nationals and Pleasanton, California. After returning home one year, we decided we wanted to be part of the sport.
Photography by Jay Doerflere are continuing our investigation of the inspiring work being done on the 1969 Camaro project being built by Auto Body Specialists in Manchester, New Hampshire. In this installment, we’ll take a close look at the extensive stainless steel hardline plumbing and the all-stainless exhaust system.
Stainless steel is sometimes called the “queen” of metals because it does not rust and is non-corrosive. If you polish or brush the surface to a high luster, it will usually keep that shiny finish for many years. That’s why stainless steel is widely used in industrial kitchens and surgical tools.
Photography by Michael Christensenn the world of custom Mercs, it isn’t unusual to find a 1949-51 coupe as a mild or full custom. However, finding a custom 1953 Mercury Monterey, while not unusual, surely doesn’t receive the notoriety of its earlier “cousin.” To make this dream come true, Kris Kroll of Full Circle Fabrication and Kraftsman Autoworks pooled their talents to create this beautiful custom. But as you’ll see, here is one Mercury Monterey that is as stunning a custom as you’ll ever find, regardless of the year.
Photography by THE AUTHOR
ust never sleeps, that is, until rusted iron or steel is painted with POR-15 rust-preventive coating. I recently traveled on behalf of Modern Rodding to Enid, Oklahoma, to visit Harold’s Hot Rod Shop’s new digs on 2 acres adjacent to the 5-acre site where Clay has operated Clay’s Collision Center since 1979.
Clay opened the collision center as a one-man operation and grew it into a 10-person business spanning 20,000 square feet, featuring two heated spray booths equipped with the latest technology to handle even the most severe collision repairs. In 2015, Clay expanded by adding an additional 5,000 square feet at the rear of the collision center to open Harold’s Hot Rod Shop, a space where he could indulge his hobby at night. Clay crafted a Concours d’Elegance quality 1932 Ford highboy roadster from the ground up, and before he knew it, the hot rod shop was filled with customers’ rare classic cars and high-end hot rods.
In 2023, Harold addressed a problem that had long needed correction. Clay’s Collision Center was overflowing with collision repairs, so to relieve the situation, Clay began construction on a 10,000-square-foot building on a 2-acre property he purchased adjacent to Clay’s Collision Center. By early 2024, the hot rod shop’s new location was ready for occupancy and the collision center quickly absorbed the additional 5,000 square feet.
View Index
- AFFORDABLE STREET RODS
- AMERICAN AUTOWIRE
- AMERICAN RETRO
- ART MORRISON ENTERPRISES
- AUTO METAL DIRECT
- AUTOMOTIVE RACING PRODUCTS
- BALL’S VINTAGE GLASS
- BOWLER PERFORMANCE TRANSMISSIONS
- CLASSIC INSTRUMENTS
- CLASSIC PERFORMANCE PRODUCTS
- CLASSIC PERFORMANCE PRODUCTS
- CUSTOM AUTOSOUND
- DAKOTA DIGITAL
- DETROIT SPEED
- EATON DETROIT SPRING, INC.
- FITECH EFI
- FLAMING RIVER INDUSTRIES
- FLAMING RIVER INDUSTRIES
- GOODGUYS ROD & CUSTOM ASSOCIATION
- GRANATELLI MOTOR SPORTS, INC.
- HEINZMAN STREET ROD SHOP
- HOT HEADS RESEARCH
- IDIDIT
- LOKAR
- LOKAR
- NATIONAL STREET ROD ASSOCIATION
- NEW PORT ENGINEERING
- NOTCHEAD FASTENERS
- PHOENIX MACHINE PRODUCTS
- POWERMASTER PERFORMANCE
- PURE CHOICE MOTORSPORTS
- RJAYS SPEED SHOP
- SALTWORKS
- SCOTT’S HOTRODS
- SPECIALTY AUTO PARTS USA, INC.
- THAT’S GREAT NEWS
- VINTAGE AIR
- WHEEL SMITH
- WILWOOD ENGINEERING
e’re counting down to the Grand National Roadster Show (GNRS), and we thought it would be fun to look back at the cars built during the event. Yes, the GNRS is the original “Build a Hot Rod in a Day/Days/Week” show. Over the years, a variety of cars—from T-buckets and roadsters to Camaros—have been assembled from the ground up at the GNRS, giving the crowd a behind-the-scenes look, so to speak, at what it takes to build (at least assemble) a hot rod. It’s exciting to watch hot rodders apply their craftsmanship and drive out with what they brought in.
While many cars have been part of this tradition, one remains a frequent favorite, the 1932 Ford roadster that belonged to its original owner, Jack Stratton, back in the day. His name shouldn’t be a surprise to many hot rodders, especially those from the Bay Area, or anyone who has visited Roy Brizio Street Rods.
It was at the 37th Annual Grand National Roadster Show, held at the Oakland Coliseum in Oakland, California, in 1990, that the roadster came to life. Jack has worked as the lead fabricator at Brizio’s since 1982 (43 years). Jack wanted to build a roadster, and Roy Brizio was approached by Harold Bagdasarian, aka “Baggy,” who owned the Oakland Roadster Show at the time, about building a car on stage.






































































































