1. “Molding the frame,” a customizing trend popularized by 1960s chopper builders, the Shadow Rods 1932 framerails wheelbase stretched 2 inches and was modified by Johnson’s Hot Rod Shop.

One Step Beyond

By John GilbertPhotography by Jessica Roach

here are more intricate details to MeKenzie Murphy’s Triple Crown of Rodding–winning 1932 Ford roadster than meets the eye. The good news for the DIY guy is these refinements require investing more labor than spending money. The truth is it takes more than just one step beyond normal preparation to mold a frame and smooth an engine in a show car for show-winning results, but “One Step Beyond” sounded like a cool title. Whether it’s stacking up points on a judging sheet or taking a judge’s trained eye to decide whether a car is a First Place winner, the intricate details add up.

The first thing a custom painter will appreciate when seeing Murphy’s 1932 Ford roadster in person is how perfectly aligned the flames pass over the louvers on the hood sides, maintaining a perfect flow. For a photographer, it’s how intensely the 1932’s candy pearlescent Magenta paint pops and lights up a photograph. For a ’32 Ford aficionado, it’s the front view looking face onto the black radiator shell that looks like a stock ’32 and then at three-quarter view bursts into black flames engulfing most of the body, ignoring the difficulty of flaming louvers in favor of a flowing design.

The debut of 19-year-old Murphy’s Johnson’s Hot Rod Shop–built 1932 Ford roadster was in Pomona, California, as an America’s Most Beautiful Roadster contender at the 2024 Grand National Roadster Show, and it was a favorite for many showgoers. From Pomona, Murphy’s ’32 went to the 2nd Annual Triple Crown of Rodding in Nashville where it took the Best Street Rod Award and garnered the Modern Rodding Dec. ’24 cover.

It’s been almost two decades since pinstriper/custom painter Josh Shaw laid his trademark “Ohio-style” flames in pearlescent pink on Murphy’s baby stroller. It was Gary Ragle of Ragle Design, knowing Shaw would be laying flames on the ’32, who penned the concept illustration for Johnson’s Hot Rod Shop engulfed in Shaw’s Ohio-style flames. It was Murphy’s input, desiring a nostalgic look back to her pink flamed stroller, that the magenta color emerged. It wasn’t a snap decision to choose a vibrant shade of pink. Johnson’s Hot Rod Shop had numerous spray-outs to decide on Magenta by custom mixing Axalta’s candy pearlescent pink. The steps to achieving the stunning candy pearl pink color are described step-by-step in the captions.

Molding the frame and smoothing the engine, trans, rearend, and suspension are where many hours of intensive labor are spent preparing the frame. The bare metal was sanded with 80-grit; any high spots in the welds were ground low before the welded joints were molded and the framerails skim-coated with Spies Spray Polyester and block sanded perfectly flat.

Smoothing the engine and associated components to look slick as black porcelain took grinding and sanding, blocking heavy coats of primer, and shooting a black basecoat buried in clear, which was then color-sanded and rubbed. The final stages of custom painting the 1932’s body and related parts beyond what is discussed here were cutting and buffing the paint. (Cutting and buffing paint is covered step by step in issue # 34 of Modern Rodding.)

There are different degrees of painting a car, from an Earl Scheib $29.95 “splash job” to prepping a car in an extreme manner. Johnson’s Hot Shop (specifically Greg Chalcraft and Scott Falotico) prepared Murphy’s ’32 Ford highboy. All it takes is developing an eye for detail and a willingness to spend hours working to obtain it.

4. The frame is fully molded and in its final Spies & Hecker coating. Notice two engine stands have been adapted to serve as a rotisserie.

6. After primer, the next steps to achieve the custom-mixed Axalta Candy Pearl Magenta final color were to spray four coats of pink pearl basecoat.

8. Not one component, the engine, transmission, or the differential end tubes, escaped “smoothing.” The basecoat is black under clear and then the color is sanded and rubbed.

10. The 400-inch small-block Chevy engine required a lot of labor to grind and sand the cast-iron block smooth before a slick coating of black urethane was applied.

11. The beauty of starting with a Brookville steel body rather than a “genie” body is that prepping rust-free steel begins with 80-grit sanding. The same products used to prepare the frame were used to finish the body.

13. Now in color and clearcoated, the moving parts, body, doors, hood, hood sides, and radiator shell, were adjusted tightly into place to ensure the artwork (flames) would be perfectly aligned.

15. Notice the area that will be covered by the windshield posts was outlined with Blue Fineline to ensure the flow of the flames would not be broken up or covered when the windshield posts were installed.

16. To mask off the negative space areas, Shaw laid 3M 3/4-inch green masking tape, which is made to resist solvents (thinned paint) and moisture.

18. Choppy lines are almost an optical illusion viewed at different angles. As shown here, the flames are ready for black. The striping brush can correct slight irregularities.

19. It’s probable that the very first parts Scott Falotico pulled off the masking paper and pulled the tape back on were to see how the flames on the louvers turned out.

21. Shaw stripped the parts removed from the car and then reinstalled them to verify the stripes were in perfect alignment before receiving four coats of clear urethane.

23. Shaw thought a white pinstripe would work at first, but it looked too bright, so he custom-mixed House of Kolor light lavender with a touch of Roman Red to create Latvian Lavender.

25. At the end of the flame tips, Shaw started with a sharp point and broadened the stroke as he pulled the stripe in a reverse direction to match the width.

27. Fully molding the frame and smoothing the engine and transmission along with suspension and driveline components while holding to a two-color theme was very effective.