Modern Rodding FEATURE
InTheGarageMedia.com
A Real Class Act
A ’32 Ford Three-Window Coupe That is a Hit in Any Crowd
1932 Ford
By Dale M. Moreau Photography by THE AUTHOR
F

ord cars, in general, are not what one thinks of when arriving at the Waldorf Astoria in New York City in 1947. Visions of Duesenbergs, Cadillacs, and Packards come to mind. But, this ’32 Ford three-window coupe is not a chip off the old block. Think of Zora and Elfi Duntov doing just that in this car. They were an upscale and flamboyant pair who scandalized the New York social register with their style and flare for fun. This was about the time that Zora’s overhead valve conversion for the Ford Flathead motor was introduced.

Jeff Chandler, of Rancho Santa Fe, California, got together with designer David Brost from Steve’s Auto Restorations (SAR) in Portland, Oregon, to make a hot rod that would stand up to the best Detroit had to offer. In that vein of thinking, a goal was created to emulate that style, flare, and cohesive design theme that the Duntov projected in his lifetime. A car that not only was a sum of its parts, but one that was built to replicate a period of time.

Rear side of 1932 Ford
Pete and Jakes supplied the boxed and 2-inch stretched frame. Added to that is a chrome-plated Super Bell dropped I-beam axle working in conjunction with a Posies-supplied front spring and hairpins. Brakes are Wilwood discs with polished SO-CAL Speed Shop–simulated Buick finned drum brake drums while steering comes from a Vega box. Holding up the rear are chrome ladder bars, polished coilover shocks, chrome springs, along with a replacement stock fuel tank from Tanks Inc.

Don Ferguson built the aluminum-based Ford ARDUN Flathead block. It is a thing of beauty and topped with an S.C.o.T. blower and intake manifold. The icing on the cake are two Rochester 2GC carburetors. What brings the Flathead to life is the Joe Hunt magneto and from here the power is transferred back to the TREMEC TKO 600 five-speed transmission. A Winters quick-change filled with Dutchman axles handles the power. Next up the exhaust is routed through a stainless steel system by SAR with Stainless Specialties mufflers. Real Rodders wheels in 15×5.5 and 16×7 and Coker/Excelsior Comp V in 500-15 and 700-16 tires make this chassis a roller.

1932 Ford's driver side
1932 Ford's interior seats
1932 Ford
Front side view of the 1932 Ford
1932 Ford's engine
1932 Ford's front grille
1932 Ford's rear lights
Brookville supplied the Ford three-window coupe body in a series of individual sheetmetal panels, then it was assembled by SAR. During assembly, the Rootlieb hood was stretched by 2 inches and the grille shortened by 1-1/2 inches. The two hood sides were deleted while the two-piece hood is held down with leather straps allowing the ARDUN-equipped Flathead to be shown off at its best. House of Kolor mixed up a batch of their jet black enamel that SAR used to cover the sweet coupe body. Master pinstripe artist Mitch Kim carried on the theme with an arrow-straight beltline stripe. Many details finish off the overall look, including ’32 Nash headlights, one-off headlight bar, ’36 Pontiac taillights, early Robert Bosch motorcycle horn, fabricated SAR bumpers front and rear, valance and gas tank covers, Indy-inspired gas cap, ’32 Pontiac outside door handles, and the “ARDUN POWER” badge attached to the light bar.

The interior flows with the overall design concept and invites you to enter an artistic time where no expense was spared on coach-built cars. The ’32 Ford dash, window moldings, and the Juliano’s steering wheel are woodgrained to the highest of standards. The dash is fitted with a ’36 Oldsmobile gauge cluster restored with modern electronics by Classic Instruments. The Packard-inspired stainless steel door panel trim is a stroke of genius in following the overall goal. A ’36 Ford clock mirror was fitted along with a working vintage Hadees accessory hot water heater. Bringing all of the hot rod’s electrics to life is an American Autowire Highway 22 Plus acquired and installed by SAR. The headliner and door panels are done in tan English wool Broadcloth, giving an elegant background for the art deco dome light. Glide Engineering was chosen to supply the original-style seat. Elegance is inspired by the interior swathed in voiture classique tolle a’ sac (translation: classic car sackcloth bagging) by Cedardale Upholstery in Mount Vernon, Washington.

Historic Fords are not usually associated with the aforementioned marques of the era. The design and execution of this one takes umbrage with that thought and proves that design can make or break a project. Look closely because you may never see one like Jeff Chandler’s Ford three-window coupe again.

1932 Ford's bottom chassis
Modern Rodding
VOLUME 3 • ISSUE 17 • 2022