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1. The original silhouette of the ’51 Chevrolet Bel Air has made it a favorite with customizers since 1950. While Ford went “slab-side” in 1949, Chevrolet maintained shapely rear fenders through 1954.
Building a Better Bel Air typographic title in red
It Takes a Keen Eye to Spot All the Modifications on this Restyled ’51 Chevrolet
By Gerry Burger Photography by Charlie Matus
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uilding a successful custom car comes down to knowing when you’re done. It is often an exercise in restraint to achieve that perfect look. Several common approaches include the full radical custom that just screams “look at me” with extreme modifications. The mild custom could be as simple as nosing, decking, lowering, and a taillight swap. And then there is our personal favorite: the restyled car. Rodding and restyling go hand in hand (remember that old magazine?) and the restyled car has modifications that enhance the original lines of the car. Many of these modifications are quite complicated and yet when completed they often appear simple. We may look at a radical custom, but we take the time to study a restyled car.

Charlie Matus has been at this rod and custom game for a long while and if the name sounds familiar you may remember his “M&M Special” ’27 T roadster from the 2014 Grand National Roadster Show. Over the years Matus has developed a great eye, so it is no small wonder his current restyled ’51 Chevrolet hardtop project is a car worth studying. Matus and Dave May at Genesis Fabrication conspired on the new look for the car, and after talking with Matus we decided to let him tell the story of this wildly mild custom:

“I bought the car from a friend in 2016. It was running a Chevy crate 350/350 tranny, it was lowered and rolling on American five-spoke wheels. The white top over Seafoam Green body looked excellent. Nevertheless, I had a different plan for the Chevy.

“As soon as I bought the car, we began the dismantling process. In late October we media blasted the body only to find the “excellent body” was riddled with rust under the doors and behind the stock stainless gravel guards. We also found four bullet holes in the trunk and top. The unknown bodyman was a true ‘mud master’ with Bondo as none of these defects were evident with paint on the car.

“The car is being built by Dave May at Genesis Fabrication in Galt, California. [May] also built my ‘M&M Special’ ’27 roadster back in 2014. We decided a custom chassis was in order, using Chris Alston’s Chassisworks suspension parts on the Genesis-built frame. A completely new floor was fabricated from the trunk to the firewall. We decided the car would be a unibody-type car with a full frame but with the body welded to the frame. Chassisworks’ independent front suspension was used along with their rear suspension. Wilwood supplied the 13-inch rotors and four-piston calipers for all four corners. An extensive use of box tubing crossmembers ensure there will be no flexing. For go-power I decided on a stock LS3 Chevy engine with a 4L65E transmission. This choice was made for reliability and for long-distance capabilities. With the chassis complete, the entire car was welded to the frame structure. At this point the bodywork began. First, all rust areas were removed and replaced with new metal, this time the bodywork was being done by a metal master.

“All four wheelwells were reshaped to perfectly center the wheels in the openings. Next came more custom touches, including pie cutting the hood to lower the profile and installing ’55 Oldsmobile headlights. The front and rear bumpers were tucked into the body while the panel under the decklid was replaced and reshaped for the frenched license plate. We plan to have the left taillight swing out electronically to access a custom gas filler.

“Next came the remodeling of the interior with four bucket seats and a full-length center console. The front seats are from a Chevy Tahoe while the rear seats were custom fabricated to fit the available space. The original dash was replaced with a custom unit. First the dash location was extended 3 inches into the passenger compartment to provide space for the Vintage Air unit, several computers, the Dakota Digital instrument pod, and the wiper motor. Keeping the new firewall clean meant the Wilwood master cylinder and the Flaming River electrical power steering unit were also located under the new dashboard. Cosmetically the top of the new dash mirrors the shape of the original, but below the top line it is designed to accommodate the new gauges, A/C outlets, and the grab bar, while connecting to the waterfall portion of the center console. [May] modified a set of ’55 Chevy power window parts to move the all-new tinted glass. A one-piece Olds windshield replaces the original two-piece windshield.

“As you can see, we are still in the building stages. I have really enjoyed collaborating with [May] about all the custom touches. Plans are being made for custom side trim, some custom pans, and myriad details throughout the car.”

Thanks Charlie, we couldn’t have said it better ourselves. We look forward to bringing our readers the finished feature right here on the pages of Modern Rodding.

Rear side angle view of the original silhouette of the ’51 Chevrolet Bel Air car outside an auto shop area; The Chevrolet hardtop roofline carries a three-piece rear window with a unique C-pillar shape. The perfect stance comes from the Genesis chassis employing Chris Alston’s Chassisworks suspension components.
2. The Chevrolet hardtop roofline carries a three-piece rear window with a unique C-pillar shape. The perfect stance comes from the Genesis chassis employing Chris Alston’s Chassisworks suspension components.
In keeping with the traditional custom tricks, ’55 Oldsmobile headlights were adapted to the Chevy fenders. A fixture was built to ensure both headlights would be on the exact same plane.
3. In keeping with the traditional custom tricks, ’55 Oldsmobile headlights were adapted to the Chevy fenders. A fixture was built to ensure both headlights would be on the exact same plane.
Fitting the ’55 Oldsmobile headlight rings to the Chevrolet fenders involved a series of slices on the Chevy fender. This allowed the metal to make a smooth transition to the new rings.
4. Fitting the ’55 Oldsmobile headlight rings to the Chevrolet fenders involved a series of slices on the Chevy fender. This allowed the metal to make a smooth transition to the new rings.
A custom adapter ring was fabricated and joined with the headlight bucket. Once this was fitted the slice cuts were welded closed.
5. A custom adapter ring was fabricated and joined with the headlight bucket. Once this was fitted the slice cuts were welded closed.
Here we see the finished modification. The ’55 Olds headlight rings are elegant and provide the perfect recess for the seal beam headlights. Note the beautifully tucked front bumper.
6. Here we see the finished modification. The ’55 Olds headlight rings are elegant and provide the perfect recess for the seal beam headlights. Note the beautifully tucked front bumper.
The custom-formed bumper irons hold the neatly tucked front bumper in place. Once again this is a radical modification and yet it appears to be a very simple design. This type of understated approach is the hallmark of a restyled car.
7. The custom-formed bumper irons hold the neatly tucked front bumper in place. Once again this is a radical modification and yet it appears to be a very simple design. This type of understated approach is the hallmark of a restyled car.
This sideview in bare metal shows the craftsmanship involved in fitting the front bumper to the front fenders. Not as obvious is the reshaping of the front wheelwell.
8. This sideview in bare metal shows the craftsmanship involved in fitting the front bumper to the front fenders. Not as obvious is the reshaping of the front wheelwell.
The headlights and front bumper improve the already-clean design of the ’51 Chevrolet. The mildly pancaked and filled hood adds a modern profile to the front sheetmetal.
9. The headlights and front bumper improve the already-clean design of the ’51 Chevrolet. The mildly pancaked and filled hood adds a modern profile to the front sheetmetal.
The rear bumper was flipped upside down then reshaped to conform to the back of the fenders. A custom pan fits between the bumper and the body.
10. The rear bumper was flipped upside down then reshaped to conform to the back of the fenders. A custom pan fits between the bumper and the body.
The rear fender was filled where the original bumper mounted. The series of slices allow the inverted bumper to be formed to fit the rear fender.
11. The rear fender was filled where the original bumper mounted. The series of slices allow the inverted bumper to be formed to fit the rear fender.
Here we can see the custom pan formed to meet the tucked bumper. The panel between the rear fenders was replaced with a custom panel that includes a frenched license plate opening.
12. Here we can see the custom pan formed to meet the tucked bumper. The panel between the rear fenders was replaced with a custom panel that includes a frenched license plate opening.
The stock ’51 Chevy Bel Air taillight trim is retained as it dresses the rear fenders nicely. Future plans call for the gas fill to be hidden behind custom-formed taillights.
13. The stock ’51 Chevy Bel Air taillight trim is retained as it dresses the rear fenders nicely. Future plans call for the gas fill to be hidden behind custom-formed taillights.
This side profile illustrates the perfect custom stance on the Matus Chevrolet. Budnik Del Mar wheels are 17s in front with 18s in the back, both wrapped in Firestone rubber (225/40-17 front and 255/40-19 rear).
14. This side profile illustrates the perfect custom stance on the Matus Chevrolet. Budnik Del Mar wheels are 17s in front with 18s in the back, both wrapped in Firestone rubber (225/40-17 front and 255/40-19 rear).
A stock LS3 Chevrolet engine resides in front of the custom-formed firewall. A custom engine cover is planned with ’55 Chevy influence. A 4L65E transmission passes power back to the 9-inch rear.
15. A stock LS3 Chevrolet engine resides in front of the custom-formed firewall. A custom engine cover is planned with ’55 Chevy influence. A 4L65E transmission passes power back to the 9-inch rear.
After fabricating a very stout chassis the car was constructed as a unibody. A completely new floor was built from trunk to firewall and then welded to the chassis.
16. After fabricating a very stout chassis the car was constructed as a unibody. A completely new floor was built from trunk to firewall and then welded to the chassis.
The original dashboard would be extended 3 inches to make room for goodies like the power master cylinder, electronic throttle, Flaming River electric power steering, and the Vintage Air unit.
17. The original dashboard would be extended 3 inches to make room for goodies like the power master cylinder, electronic throttle, Flaming River electric power steering, and the Vintage Air unit.
The extended dash looks very proportional in the car, and you would never guess how much equipment resides under the dash. The utter simplicity of design is timeless.
18. The extended dash looks very proportional in the car, and you would never guess how much equipment resides under the dash. The utter simplicity of design is timeless.
If it is possible to be modern and traditional at the same time this dash does it. The Dakota Digital oval dash cluster provides all the vital signs; a grab bar is there to hang onto and a gorgeous steering wheel ties it all together.
19. If it is possible to be modern and traditional at the same time this dash does it. The Dakota Digital oval dash cluster provides all the vital signs; a grab bar is there to hang onto and a gorgeous steering wheel ties it all together.
About that steering wheel, it’s a rare, one-year-only, ’40 Chevrolet “Spinner Wheel.” In 1940 the option cost less than $15, to find an unrestored one today plan on spending at least $1,500. This one was beautifully restored by Dennis Crooks. It is the very definition of art deco.
20. About that steering wheel, it’s a rare, one-year-only, ’40 Chevrolet “Spinner Wheel.” In 1940 the option cost less than $15, to find an unrestored one today plan on spending at least $1,500. This one was beautifully restored by Dennis Crooks. It is the very definition of art deco.
Rear side angle view of the original silhouette of the ’51 Chevrolet Bel Air car inside an auto shop area; Our parting shot, proving that coming or going to this Bel Air is going to be a great custom. Final paint- and bodywork will be handled by Jim Ramirez. Matus has not picked the colors yet, but he assures us it will be two-tone.
21. Our parting shot, proving that coming or going to this Bel Air is going to be a great custom. Final paint- and bodywork will be handled by Jim Ramirez. Matus has not picked the colors yet, but he assures us it will be two-tone.
Genesis Fab
(209) 748-2560
Modern Rodding

VOLUME 4 • ISSUE 35 • 2023